I: The Suicide Tree/II: A Rose from the Dead
July 2, 2011
The only instruments are drums, vocals and hammered dulcimer, which kind of sounds like a haunted piano going through an octaver pedal, which makes this the most organic black metal project I've ever heard of, no need for distortion, electricity, or much technology at all, the guy could pack his equipment and trek to the most secluded isolated cave in the deepest darkest forest and sound just like the album. Grindcore arrangements, black metal textures, and botanical aesthetics. Truly unique today. Gives me the impression of praying mantises, stick bugs, venus flytraps marching towards insect warfare. Creepy, unsettling vibes, like an accompaniment to a vintage silent black and white film depicting our world as a living, breathing organism where insects perform the job of white blood cells and eradicate the virus that is humanity. Or perhaps one of those National Geographic shots where they speed up the time of some kind of animal carcass getting eaten way and decays into the soil. Vile, venomous, and virulent. The lyrics read like a botanical encyclopedia. Definitely an acquired taste, but all the better for it. The second album, II: A Rose from the Dead shows noticeable improvements in overall song writing and cohesiveness from beginning to end. Read about the concept of the Botanist and the universe he exists in, the Verdent Realm, here. Read more to listen...